Editorial poster combining archival botanical photography with a scientific computer-vision interface. Photograph a single pale blush-pink tulip against a completely black background. The flower should be partially open and slightly wilted, with large folded petals twisting into an irregular sculptural form. Show delicate cream, beige, dusty pink and muted brown tones across the petals. Include one long green stem curving diagonally from the lower-left corner into the flower near the upper center. Use harsh directional flash and deep shadows to create an old botanical archive photograph. Preserve realistic petal veins, creases, translucent edges and subtle areas of decay. Add faded film color, dust, scratches, scanner marks and fine analog grain. Overlay a complex white computer-analysis network across the flower and stem. Place dozens of tiny circular tracking points on petal edges, folds and intersections. Connect the points using thin straight white lines, forming an irregular geometric mesh that extends beyond the flower into the black background. Add small outlined rectangular tracking boxes around selected details. Place short strings of decimal coordinates and numerical measurements beside different nodes, using tiny white monospaced typography. The numbers should resemble machine-generated spatial data rather than meaningful labels. Include a few thin partial circles and long technical arcs crossing the outer background. The interface should feel precisely mapped to the organic structure of the flower while remaining visually chaotic and experimental. Contrast the soft decaying botanical subject with cold mathematical analysis. No vase, no additional flowers, no colored interface lines, no readable words, no title, no footer, no designer credit, no logo, no signature, no watermark.